Naturally, he’s got his sights set on Chitty, and has sent out his child catcher to capture Caractacus’ bleating kids. ![]() ![]() Growing up, hereabouts, is something youngsters do not adults. ![]() In this tinpot realm, where Frobe’s babyish mindset has banned children and demanded that his disconsolate people provide him with magnificent toys for his birthday. The second half, where the car, to be fair, takes a back seat, is pure fantasy. At the heart, it is about forming a family. It’s always a surprise, no matter how many times the film is revisited, how anchored it feels. And there are those songs to keep things buzzing, Disney-esque ditties that have a calming quality on the breezy mayhem. It’s an object lesson for purveyors of young cinema - be silly, be clever, but always, no matter how much nonsense is on show, be real.ĭivided into two near-equal halves, we begin watching the slow birth of Chitty, a car with hidden secrets, that manages to not only bring pretty aristocrat Sally Ann Howes into the orbit of eccentric single father Dick Van Dyke, but also whisk them off on an adventure into a Germanic backwater run by the demented, but really rather loveable Gert Frobe (who’d made his name as prime Bond villain Goldfinger). This justly celebrated and ever-faithful kids movie works so well because it possesses a good deal of everything: light, catchy musical numbers madcap technology fairy-tale kingdoms cheeky, adult-mocking comedy and genuine scariness.
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